Music, a means of self-exploration and self-expression, has always been intrinsically linked with a diversity of identities. Before there were “queer pop stars” there were those who pushed the limits of gender, shocked and supported audiences through their songs, and represented fans who identified with them. There’s an argument to be made about the music industry as queer media, but at the minimum it is a place in which queer artists and queer listeners engage and interact, creating community spaces in their fanbases. The music industry has changed so much over its lifespan, so for the sake of brevity, we’ll look at the current subsection of music, from the early 2000s to today. In a similar way, the LGBTQ+ community is so expansive and can never be defined by one word, but for the phenomenon of non-straight or non-cis fans of pop culture and music, I’ll refer to them as “queer.”
Some of the most popular musicians in the past few years have been straight artists– confirmed or implied– with a significant portion of queer listeners. Typically, these genres are pop and rap, although this trend is not limited to these categories. In the past two decades, Britney Spears has remained an icon to the queer community, primarily for queer men.




















